The University of Hawaiʻi at 惭ā苍辞补’s Department of and will debut from April 17–26, a large-scale Balinese shadow puppetry performance that blends tradition with innovation. The show features towering shadow figures, live actors and dancers, and a full gamelan orchestra, an Indonesian ensemble known for its layered, rhythmic sound.
Photo credit: C. Lamborn
At the center is a love story that has traveled across centuries. The Panji tales, rooted in 13th-century Java and later embraced in Bali, follow a prince and princess separated again and again by misfortune and disguise. Their journey unfolds through “electric shadows,” a modern Balinese style that uses giant screens, dramatic lighting and performers moving both in front of and behind the stage.
“Everything you see on the screen is created live, in the moment,” said co-director Kirstin Pauka, a professor in theatre and dance. “This type of theatre is as complex as shooting a movie, and we do it all in one take.”
Photo credit: C. Lamborn
The production is co-directed by Balinese master artist I Madé Moja, who returns to Kennedy Theatre after staging two earlier works. The team leans fully into handmade design. No digital projections. No computer effects. Instead, simple materials are transformed into moving shadows, music and motion.
“The level of teamwork required goes far beyond most theatre productions,” Pauka said.
That collaboration stretches across campus and community. The cast includes 东精影业 惭ā苍辞补 students, local performers, and keiki learning the art form. The live music is led by master musician I Madé Widana.
Ticket information
. Performances are scheduled for Friday and Saturday evenings, with a Sunday matinee on April 26. Pre-show talks will be held before select performances.
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